Then, she got up and walked off set. http://www.hollywoodreporter.com/news/girlhood-subjects-get-narrative-feature-829762 Her divorced mom moved to the suburbs to get her out of harms way but Shanae, though never arrested, still managed to find again the wrong friends and display bad conduct at home. The documentary Girlhood juvenile delinquents Shanae Megan Waxter GIRLHOOD - Dennis Schwartz Reviews Miriam Kruishoop (Greencard Warriors) has signed on to write and direct Hood Girls, a narrative feature based on the life stories of the two subjects of Liz Garbus 2003 documentary Girlhood. Solved In the documentary "Girlhood, " the two | Chegg.com At first, Shanae shows no remorse over killing another human being, but gradually she takes a hard look at what she did and is sorry. The third is her reluctance to become close with others. The early life trauma that these girls experienced impacted . Megan on the other hand, has a more difficult time staying out of trouble and maintaining good grades. The film is also said to be informative regarding the significance of the relationship between mothers and daughters. Inside, she is desperately frightened of becoming just like her. [ClickEssay Writerto order your essay]. Today, the Baltimore native is living in North Carolina and acknowledges that she wasn't in a good place during her "Oprah Show" appearance. ''Girlhood'' is the newest entry in Ms. Garbus's long list of socially concerned documentaries made for theaters and television. Interviews. AMCTheatres.com or AMC App New. Girl Hood is a documentary film directed and produced by Liz Garbus that follows two teenage girls, Shanae and Megan, over the span of three years, from the time they are in the all-girls juvenile detention center at Thomas J.S Waxter Childrens Center in Laurel, Maryland, to when they are out in the real world. By Kate Durbin 07/14/2021. After Megan and her mother have falling out and are no longer speaking, the film again shifts focus to Shanae, who has now just lost her mother to heart failure. Documentary chronicling America's justice system. Girlhood (2003) - Plot - IMDb So the films have been very organically connected. Even though she does not get the chance to further her education, she avoids returning to a life of crime (Garbus, 2003). It is also quite clear that the staff at Waxter have a special affection for her despite her antics. Shanae and Megan both experienced similar circumstances that yielded different outcomes. Megan flounders around for a while and is eventually sent to another foster home, which doesn't work out. http://sites.google.com/view/ehdwjwbxfu/linkedlist-member-modification-c, Your email address will not be published. The relationship between staff and the young women at Waxter is for the most part warm and friendly. During this scene Megan whines that nobody loves her, she seems to be half joking but one has to wonder. Shanae's reentry into society was easy, and she does not seem to be struggling in any way. In her commentary on the film, available on the DVD, Garbus admits to being struck by Shanaes intelligence and cutesiness (she was wearing pigtails at the time) and then shocked to discover that Shanae was locked up for murder! Your email address will not be published. In Garbus film, Shanae and Megans girlhood set up a dichotomy: girlhood is good, everything else threatening, extraneous and intrusive, instead of part of the story of girlhood itself. The girls the film follows for three years are Shanae and Megan, as the film begins in 1999. There was nothing in this film that led me to believe that society has a handle on the current youth crime situation, and that made me sadder than the plight of these two confused girls who were trying to grow up too fast and came up short. ESSAY WRITING SERVICE SAMPLE: LANGUAGE ACQUISITION, ESSAY WRITING SAMPLE: CORNING INC. COMPANY PROFILE CASE STUDY, RESEARCH PAPER ANNOTATED BIBLIOGRAPHY: THE ISRAEL-PALESTINE CONFLICT, How realism, a theory of International Relations, can apply to Foreign Policy, SOCIAL PSYCHOLOGY: GIRLHOOD MOVIE REVIEW. As the film progresses we see Shanae go from feeling very little remorse or even understanding of the consequences of her violent actions, to feeling real remorse and a sense of responsiblity. Nevertheless, this is a worthwhile close-up look at two of the troublesome girls who are representative of the problems society faces. What was particularly sad was the uninspired rehabilitation measures tried by the staff at Waxter, as the girls received little help that was useful and seemed to be going buggy in an atmosphere where the staff might have been decent but were certainly clueless on how to treat the girls. The family situation takes over as more important than the help they received through the criminal justice system. Girl Hood has been praised for its informative content and for raising awareness on a number of issues young people in detention centers face on a daily basis and how their lives lead to a life similar to their parents. Her cousin has to console her. This difference in their experiences seems to be related to their familial relationships. . She is briefly reunited with her mother but cannot forgive her for not being there when she needed her most. The primary objective of the film is an exploration into the social implications for the increase of crime committed by young women such as Shanae and Megan. "I decided to change some of my ways because I didn't want the system raising my child," she says. She portrays this by her apprehensive response that she gives to her parent. The length of her stay at Waxter will depend on whether she can acknowledge what she did and show appropriate remorse. The 16-year-old Shanae was placed in the Florence Crittenton Group home and the slightly older Megan was rewarded for trying to run away by gaining her official freedom. Additionally, the film has been criticized for having the drama move the film along. Lock 'em up and keep them off the streets is the familiar cry. While Shanae, the victim of a horrendous violent crime herself as a child, has difficulty coming to grips with the murder she's committed, she's clearly an intelligent, charismatic, and, most importantly, motivated girl. She stays briefly at another foster home before running away to live with friends and eventually by herself in the treacherous East Baltimore neighborhood where she got into trouble. She is also silly and childish which is what you expect for a girl her age. Follows two female inmates - victims of horrific violence and tragedy - who are serving time in a Maryland juvenile detention center. But in [Garbus] attempt to give their lives a shape that the girls themselves seem to resist, this talented filmmaker has done both herself and them a disservice.. Often it's not enough. (2003). Our managing editor an award-winning journalist has spent the past 7 years refining our roster. Megan, we are told, has been in 11 foster houses by the age of 16. Create a free website or blog at WordPress.com. In contrast to Shanae, who has a great deal of family love and support, Megan only receives letters from her mother sporadically, and in one scene in the film desperately wants to call her grandmother to see if she is going to visit her. At twelve years old Shanae was involved in a fight that ended with Shanae stabbing and killing a young girl. Dennis Schwartz: Ozus World Movie Reviews, Copyright 2023 - Dennis Schwartz Movie Reviews. When she grows older, it is clear that she is still affected by the feeling of neglect and she believes nobody is looking out for her interest (Garbus, 2003). This presumption is damaging because ultimately Garbus makes uncomplicated subjects of the girls. Megan, a pretty girl with a devilish gleam in her eye, tries to get by on charm, but she doesn't have Shanae's focus. When she originally returned to Baltimore, Megan's life went downhill. This paper provides a social psychological review of Megan and Shanae from an ecological point of view as well as an attachment perspective. Save my name, email, and website in this browser for the next time I comment. 005BroylesDocumentary.docx - EDPY 303.005 Dr. Armstrong 08 Your email address will not be published. Liz Garbus, who was nominated for an Academy Award in 1999 for The Farm: Angola, USA, shoots in her latest an unflinching cinema verite documentary about two teenager girls who committed violent crimes and are now incarcerated at Marylands Waxter Juvenile Facility. She was farmed out to live with a foster parent. Shanae shows certain resilience characteristics that help her reform her life. "I'm happy now.". Shanaes development has been disrupted. Film Review by Frederic and Mary Ann Brussat murdering another girl after the two got into an argument. Liz Garbus has made other films about life in prison, such as the Academy Award Winning The Farm: Angola. Megan grew up without the love and support of her mother who was in prison for drugs and prostitution. The project, titled "Hood Girls," will be written and directed by Miriam Kruishoop ("Greencard Warriors") and produced by Atlantic Screen Productions. In the documentary "Girlhood, " the two main characters Shanae She responded by drinking and drugging, and then at age 12, graduated to murder. Girlhood: The Theories Of Aggression And Violence | Studymode This leads to her eventual rehabilitation from delinquency. 'Girlhood' Subjects to Get Narrative Feature Remake (Exclusive) The film, however, makes Shanae and Megans girlhoods into victory stories when, instead, they are something much more complex. Megan's mother was a drug-addled prostitute, and after being placed in, and escaping from, nearly a dozen foster homes, Megan committed a violent crime. The title Girlhood splits in two on the opening credits, with "girl" and "hood" on separate lines. Thankfully, her parents point out that being dead is definitely WORSE than being in detention! This paradoxical relationship with her parent is evident (Brody & Dwyer, 2016). In the second segment, she runs away from foster homes to try to live with her mother. Their stories are depicted in the 2003 documentary Girlhood. In the documentary, she is always trying to contact either the mother or the grandmother. I wasn't alone. It is a sign of her resiliency that she manages to handle a tragedy that would have unsettled more wobbly teenagers. The juvenile justice system serves her well, because she's deeply involved in forging her own path. However, Garbus suggests that this is due to the lack of adequate recreational activities in Waxter (Garbus, 2003). April 24, 2023. This problem has been solved! Decent Essays. Other aspects reveal themselves when she grows older. Garbus interest in and empathy for her subjects and, more importantly, the way in which she relays their girlhood, makes for an entertaining and emotional documentary, but perhaps an incomplete one. "Oprah: Where Are They Now?" In an interview with NPR, the films director, Liz Garbus, admits that Girlhood was originally a documentary about incarcerated boys, but the girls stories were more interesting to her. At the beginning of the documentary, Shanae and Megan are 14 and 16, serving time for murder and assault, respectively. Megan's mother was a drug-addled prostitute, and after being placed in, and escaping from, nearly a dozen foster homes, Megan committed a violent crime. Before starting the film girlhood, she actually meant to do a film about young men in juvenile detention centres because from her work on the film Angola, she was intrigued and disturbed by how many of the inmates there said they had learned the tricks of their trade from their experiences in juvenile detention.
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