Although you can capture at that high of frame rate, the video quality is junk, so you better need the slow-mo more than you need a good looking picture. Last is the Blackmagic Design Ursa Mini Pro 4.6K, priced at $6,000. It has a power zoom function with a consistent aperture through the throw of the lens. And once attached, the positioning of the screen can be freely adjusted for example, either beside the camera body or directly along the axis of the lens. Because of the cost, we would most definitely label the ideal users of the FS5 as professional. 1.44M dots, Omni-directional stereo electret condenser microphone. The XLR inputs are located on the handle, so if you remove the handle you will lose those inputs. Use the condenser microphone included in the camera kit (side pocket of the bag). We shot with the Sony E PZ 18-105mm f/4 G OSS, the kit lens for the PXW-FS5. Its easy to upgrade FS5 to meet almost any requirement. With the Shogun Inferno and an FS5 II, you can capture up to 10-bit ProRes RAW. Yes, Sony did release the full-frame E-mount NEX-VG900way back in 2012, but that was a different kettle of fish. | Review, The Canon EOS R50 is the perfect camera for beginners | Review, Blackmagic Pocket Cinema Camera 6K G2 review: A beautiful image in a lackluster package. The PXW-FS5 is $6,700; thats not chump change. In some ways releasing a camera in 2020 that can only record 4K when a lot of your competition is doing 6K and 8K might at first seem like a strange decision. Ive worked with the Sony FS7 a bunch, but I dont think Ive worked with the Sony fs5 before. **Paid upgrade. There are two options for slow motion: "S&Q Motion" and "Super Slow Motion." Of these, the Super Slow Motion has a lot more options. The FX6 can be used as your main camera, a B camera to the FX9, the A camera to a Sony a7S III, and so on. The FX6, just like the FX9, features a next-generation sensor chipset that provides much improved AF with face detection and Eye-AF. A detachable Smart Grip puts all of the FS5s key functions at your fingertips and is easily adjusted with the press of a single button. By doubling the ISO, we are able to see the performance at every stop. It can capture CinemaDNG and ProRes 444 internally. As a comparison to the FX6, the FX9 utilizes a 35.7 x 18.8 mm full-frame sensor. Given the FX6 has Cinetone, in theory, it should match up pretty well with the FX9. Read our article. Whichever option you choose, a phenomenal fourteen stops of exposure latitude ensures the highest fidelity in capturing highlights and details within shadows. So, lets have a look at the key features: If you want to watch the camera announcement live stream from Sony, you can above. Key Features 1920 x 1080 Touchscreen Display HDMI 2.0 Input/Output, AtomOS 10 Record up to 8K30 ProRes RAW 1000 cd/m Brightness Show More If you're shooting with an 8K camera, then why not record in 8K raw format using the Ninja V+ 5.2" 8K HDMI H.265 Raw Recording Monitor from Atomos. So how does the price compare to some of the competition? The PXW-FS5 is the PXW-FS7s little brother, offering many of the same options with a smaller, more compact form-factor. With 14 stops of dynamic range, we were very impressed in the detail and tonal reproduction of the camera. The FS cameras dont record audio channels in stereo pairs: Channel 1 is a mono track, Channel 2 is a mono track, etc., so youll need to route each mic to an individual audio channel. Alister Chapman explains why RAW is a big deal for Sony's PXW-FS5. Sony almost always seems to get its camera timings just right (at least when it comes to digital cinema cameras). If you are using a camera with a servo-controlled zoom, there is a rocker for your fingertips. RELAY mode automatically switches recording from the first to the second memory card when the first is full, while SIMUL mode permits simultaneous recording to two memory cards (for example, to create an immediate back-up version). AC Adapter: 12 VDC Sony has priced the FS5 II very well. Maybe not, but it might just be everything you need. Once you have several camera models below a certain price point in your line-up you put yourself between a rock and a hard place. The only monitoring for the camera comes in the form of the 3.5 1280720 LCD touchscreen. FS5 II also offers High Frame Rate (HFR) cache recording at Full HD 10bit 4:2:2 image quality . Sony is also working to encourage other third-party non-linear editing tools to adopt this functionality. Below you can see what is possible to do. Chris Monlux Videomaker's Multimedia Editor. channel having L and R tracks, so you were trying to route input 2 to The sensor and the body are the same, but the FS5 II includes the ability to output 4K RAW via the SDI output and to internally capture continuous HD video at up to 120 frames per second. It also rotates and moves very easily. Rotating the grip was easy, which made it possible to quickly find the optimal grip no matter the shooting angle. I just had the thought that maybe there was a way to record 4 channels via the xlr inputs and possible the hotshoe with sony's fancy receiver, or some combo that I hadn't figured out yet. The values for dimensions are approximate. Sony has officially unveiled the FX6, the third camera in its new Cinema Line. You can also view images from the camera in real-time on a smartphone running Content Browser Mobile. You could make arguments that any of these cameras are a better choice. In no real surprise, that the FX6 doesnt have the same locking E-mount from the FS7 M2 and FX9. The fact that you can only shoot HD in a Super 35 mode may be a deal-breaker for some potential users. Sonys mount system offers unsurpassed compatibility with both Sony and third-party lenses. A native ISO that high is a big bummer. The first camera was the a7S III. FS5 II is Sony's Super35 handheld camcorder with stunning 4K HDR and 120fps performance. By utilizing this smaller megapixel sensor in the FX6, Sony can give you UHD at up to 120p with full pixel readout and no pixel binning. The FX6 works with Sonys Content Browser Mobile. *S&Q 1-60fps and 100/120/200/240fps are available in these modes. Lets have a look at how the Sony FX6 compares to these other options. In UHD it can capture up to 120P also in 4:2:2 10-bit XAVC Intra (Class 300). All of these competing options have their own strengths and weaknesses. This is something you need to keep in mind long term, even though I personally think 4K will be fine for many years to come. Now, the big upgrade to the capability of this camera is what it can do when video is captured externally. With the PXW-FS5, the speed of the menu operation is a non-issue. The Type A card is the slowest of the three standards. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light.*. Does anyone know if the Sony Fs5 has a timecode input (even if it is optional like the fs7)? Go beyond what anyone ever expected for a camcorder that weighs just 1.77 lbs. The EVA1 is heavier than both the C200 and FS5 II at 4.5 pounds naked. The worst argument I always hear in regards to resolution is that I am future proofing my material. The Sony FS5 II has so many great qualities, including its price. It features 14 stops of dynamic range, applicable to both raw and XAVC recording as long as S-Log is turned on, for truly filmlike rendering of highlights . I am assuming that just like with the a7S III, that you will be able to record to both card slots simultaneously if you want to. If you need higher frame rates than that, youll need a specialty camera. It was just too touchy. Along with timecode you also get a 12G/6G/3G SDI output and a full-sized HDMI output. The dedicated 627-point phase-detection AF sensor covers approximately 95% in width and 94% in height of the imaging area. These include: Essentially, the only real advantages the a7S III has is that it can take photographs and it has a built-in EVF. Just because a new camera comes along, it doesnt make the camera you already have obsolete. All of these cameras were released at a time when they didnt have any direct competition. When the FS5 originally came out 5 years ago it didnt really have any competition. All the configurations you posted above notably dont include using input 2, where your mic is plugged in.This assumes youve got something else, like a shotgun mic, in channel 1. People may be asking why it doesnt use a larger megapixel sensor or why it doesnt shoot in resolutions over 4K, but in my personal opinion, it doesnt need to. CFexpress was announced back in early 2019, but so far we have only seen CFexpress Type B cards being utilized. *Accessories sold separately. Reply to this Discussion! Battery and media included, the Shogun Inferno adds 2.4lbs to the rigs weight. The Sony FS5 II is no revolution from the prior version, however, its still one hell of a camera. Click here to contact a sales representative and request a media kit. The AF works in all resolutions and all frame rates, including UHD at 120p and HD up to 240p. It records via SD card and is equipped with two card slots. The focus ring was slow to respond and offered very few degrees of rotation, making find focusing difficult. If you have a great idea youd like to share with our readers, send it to editor@videomaker.com. Even when changing resolutions and formats, the restart of the camera was quick. Shooting from midday to about dusk, we were able to challenge the dynamic range in situations that had dark shadows and bright sun light. In fact, we would love to see something that is small and can be mounted without bogging down the camera. We started our PXW-FS5 experience packing the camera up for a trip across the country, where we had the distinct pleasure to shoot in New York City for some of our tests. The power consumption of the FX6 is approx. It is the cheapest interchangeable-lens cinema camera that shoots 4K. With the FX6 you can output the exact same 16-bit linear RAW signal from the camera and then record it in the exact same 12-bit ProRes RAW file without needing to pony up $2,500 USD to do it. Is the FX6 the camera you have been waiting for? Dual XLR inputs FS5 II has two XLR connecters - so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as . This product contains pre-installed software and requires the purchase of license keys to activate some functions. It has also has two XLR inputs and a hot shoe. Shutter Speed: 60i: 1/8 to 1/10,000 Should you purchase the Canon EOS R8 for video? Here are the ways of getting four channels of audio: The FX6 also features a stereo onboard microphone in the body of the camera itself. What we wed have really loved to see is the low light capabilities of Sonys a7S II put into a better form factor with easier controls and XLR mic inputs. At release, the MSRP of $6,700 puts the FS5 in the same space as the Canon C-100 Mark II at an MSRP of $5,700 and the Blackmagic Design URSA Mini 4.6k at $4,995. I am sure we will eventually see the price of the FS5 M2 being reduced once the FX6 becomes available. solid and well-built. But in saying that, it is still capable of theoretical speeds of up to 1000MB/s. 111.3 x 128.7 x 172.4 mm (Body only including the projecting parts), Power Requirements DC 14.4 V (battery pack), With battery pack BP-U90: approx. The C200 costs $7,500 and captures internal 10-bit to Canon RAW light. Sony says that the new color science should offer rich mid-range colors, alluring facial tones and a softer tonal look. We agree that the camera has a new look. It seems with this release that Sony intended to make a camera that feels more like the C-100 Mark II. A site for working professionals in the TV & Film industry, Sony XLR-K3M Dual-Channel Digital XLR Audio Adapter, Intellytech offering Lumenradio CRMX on LiteCloth 3.0 RGBWW models, RED patent lawsuit against Nikon dismissed, Simmod Lens announces Tray-mounted & Screw-in Diopters, 2.4 GHz, 5 GHz Wi-Fi Video Output, Control, FFcrop 5K (4K DCI at up to 60p recording), Super 16 Mode (coming in a firmware update), Compatability with the XDCA-FX9 Extension unit. The Sony FS5 II adds in mechanical 2, 4 and 6 stop ND for even quicker operation. Both the FX6 and the FS5 M2 will be part of Sonys line up going forward. The built-in microphone. It also lets you pick out footage at exactly the point that you want. If you are an event videographer, news gatherers, documentarian, marketing agency or studio, then this camera is for you. According to Sony, not many users were actively utilizing the rear EVF so they decided to get rid of it. Attaching the Microphone Posted by Vincent James on March 30, 2021 at 8:07 am My Sony FS5 Mark ii is not recording audio when I use my external Sennheiser ew G4 microphone which is connected to the XLR Input 2. It wasnt till we went back to our FS7 review that we considered it worth mentioning. Sensor: Super 35mm Single-Chip 11.6MP Exmor CMOS However, because it doesnt allow for internal 10-bit 4K video, youll need to purchase a monitor/recorder to get the most out of it. When you need dynamic range, shooting in log is the way to get it. Because of its handle, it was easy to carry when not shooting. It made the footage look great and got rid of the little noise we experienced. This price makes it around $5000 USD less than the FX9 and around $2500 USD more than an a7S III. Sony offers a few better lenses for run-and-gun shooting and many other options for more controlled shooting situations. It looks very similar in a lot of ways, however, you will notice that there is no longer an EVF on the back. First up is the Canon C200, the closest in weight to the FS5 II, though its just less than twice the weight. Or do I need to print a timecode track to the audio channel? Sigma offers Sony E mount zooms for those who are on a budget but still want high quality. The PXW-FS5 is a more compact and far lighter camera than the PXW-FS7, coming in at only 1.76lbs. Any time we needed to use the menu it was fast and responsive. What about recording differences? In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. This doesnt mean you have to use the new cards, the camera is still backward compatible with SD UHS-II cards as well, however, you do need the faster CFexpress type A cards if you want to record frame rates over 100P. The viewfinder is OLED and, in times where the LCD fell short, it was nice to have another option. Above you can see the difference between a standard sensor (on the left), and a back-illuminated sensor on the right. ), Time Code Settings (TC PRESET/UB PRESET/TC FORMAT, Etc. This was a temporary setback, however, as we quickly adapted our muscle memory and found it to be very intuitive. Some wont take advantage of the ProRes RAW option because the format can currently only be edited in Final Cut Pro X. It will pick up room noise. Optically it is a pretty good all-rounder. He is the Editor of Newsshooter.com and has been writing on the site since 2010. However, because it doesnt allow for internal 10-bit 4K video, youll need to purchase a monitor/recorder to get the most out of it. If you are primarily shooting video, then items such as built-in electronic variable ND, XLR inputs, SDI In, Timecode In/Out, better cooling, LUTS, and form factor make a big difference. Another great improvement with the FS5 is that there is now a viewfinder. So does the electronic ND. However the drawback of a small form factor mirrorless camera is that accessories are almost always needed to get the most from your camera. The FX6 weighs in at 890g / 31.39oz (body only) which makes it just 60g heavier than the FS5 M2. Yes, you could very well argue that capturing at a higher resolution allows for more flexibility with reframing in post or downsampling to get a better 4K image, and those are good arguments, however, if you are capturing in 4K and still delivering in HD (which a lot of people are) you dont need resolutions above 4K. This mount is fully compatible with E-Mount lenses and supports all electronic connections. We most definitely recommend it if youre in the market and it fits your needs. The PXW-FX6 uses a full-frame Approx. The 8-second cache recording means no more mis-timed shots leading to extra takes. Anybody compalining that they were expecting an FX9 in a smaller body with the same features for less money is living in a dream world. However, its the heaviest and least portable camera at 5.1 pounds. The FS5 is capable of delivering 8 seconds of 240fps content in Full HD, FS5 Handheld Camcorder - 4K HDR - Sony Pro, Brochures: Professional Camcorder Family: XDCAM Handy camcorders, NXCAM & Accessory (EN), Brochures: PXW-FS5: Key Features & Comparison Chart (EN), Do Not Sell or Share My Personal Information, 2004 - 2023 Sony Electronics Inc. - Terms and Conditions of Website Use, Instant HDR Workflow is all about speed. Because the camera needs to operate at a high ISO all the time, applying the ND in more than just a step at a time is very nice. S-log2 offers more dynamic range to cameras with 14 stops of dynamic range or fewer. Not having a locking E-mount means you really do need to use lens support for certain larger lenses. FS5 II delivers stunning slow motion imagery, including four seconds of 120fps in 4K, continuous 240fps in 2K RAW when used in partnership with a compatible third-party external recorder, such as the ATOMOS Shogun and Convergent Design Odyssey 7Q. Any third party loupe that works with the FX9, or the actual loupe for the FX9, will work with the FX6. Also, those high frame rates have a limited record time, though many things you want to capture in high frame rates only last a few seconds anyway. Plus, the FS5 will shoot UHD 4K in 24 and 30 fps at 100Mbps. Its good that the FS5 has a variable neutral density (ND) filter because without it that minimum ISO would be a huge problem. This is big for shooters who need to use muscle memory and shoot by feel instead of flipping through menus. See how it performs with stunning low-light shots and slow-motion footage, "You're dealing with 2,000-degree glass a few inches from your hands, so you do have to be careful", Go behind the scenes with Den Lennie and Mick Jones on Sony's first official PXW-FS5 shoot. Plus, Sony even upgraded the already great built-in neutral density filter. Back at Videomaker world headquarters, we tested the FS5s low light capabilities. This allows you to control your camera and also control focus, iris, and zoom with a lens such as the new Sony FE C 16-35mm T/3.1 G E-Mount Lens. Unlike in-camera or lens stabilization, metadata generated by the FX6s built-in gyro allows you to creatively choose the balance between the level of shake compensation, and the resolution. Just like the FX9, the FX6 isnt capable of recording in any anamorphic modes. Sony is very much pushing the FX6 as being a lightweight, compact mobile production camera that can be used by solo operators. We found it pleasing, though we also liked the color from the original FS5. Sony has literally done what a lot of people were hoping they would do. 12.9 megapixels (total), 10.2 megapixels (effective) back-illuminated CMOS Exmor R 4K sensor. It also rotates and moves very easily. HDMI 2.0: 1 x Type A encoding is also available. Higher frame rates of 480fps and 960fps are also possible at specific resolutions. However, unlike the FX9 that is downsampling from a 6K sensor to record 4K, with the FX6 you are getting 4K from a 4K sized sensor. With 960 fps being the fastest frame rate, it also offers 240 and 480 fps. The FX6 doesnt feature any type of IBIS, instead you need to use post stabilization to improve shake. The FS5 takes advantage of Sonys flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. Viewfinder: 0.39 / 0.99 cm OLED A 3.5-inch LCD screen can be attached in no less than nine different locations: three on top of the handle and another six on top of the body. Archived post. We didnt need anything too wide, so this lens worked well. Most manufacturers exaggerate their cameras real dynamic range. HFR 3. Lastly, there is a dial for easy change of the aperture or other controls. Below you can see: At $5999.99 USD it is basically the same amount as a RED KOMODO and around $500 USD more than a Canon C70. Weight Body Only: 29.2 oz / 827.8 g It is the cheapest interchangeable-lens cinema camera that shoots 4K. At the same time as the FS5 II was announced at NAB 2018, Apple announced ProRes RAW, made possible with a few partners including Atomos and the Shogun Inferno. With its adjustable grip, its reminiscent of the Canon C-100 and C-300 form-factor. I was wondering if anyone on this forum might assist me resolve this issue. If you want an FX9 sensor with FX9 features, buy an FX9. Thats a lot of light to compensate for. Given the small megapixel count, this camera will only ever be capable of recording in resolutions of 4K. the R track of Channel 1; this is not the case. This is a major problem if you want to run the camera on a gimbal and need to remove the top handle. Each profile can be individually adjusted to suit your specific requirements and switched between in seconds. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. Because if they didnt what would be the difference between the FX6 and the FX9? Items that can be changed on theMain Statuswindow include: Unfortunately, it doesnt appear that you can change the white balance, ISO/Gain, ND, shutter, or Iris using the touch screen while you are on theMain Statusmenu. I just started working with an FS-5 and am learning my way around the camera. FS5 offers 9 pre-Programd Picture Profiles, including ones customized for S-Log2, S-Log3, plus a profile tuned to provide vibrant, high contrast visuals for creators who desire a DSLR-style look. Use the condenser microphone included in the camera kit (side pocket of the bag). Unlike the FX9 which has a base ISO of 800 as well as a High Base ISO of 4000, the FX6 has a native ISO of 800 (S-Log3) and what Sony are referring to as a High Sensitivity mode of 12,800 ISO. Page 27: Audio Inputs Audio Inputs The camera has a built-in stereo microphone on the handle. That stronger E-mount is also handy for using heavier-long cine-zooms without having to add additional lens support. The location of the ND is the same in the FS7; its easy to find and the grip is textured for an easy turn. When I brought some test footage into Premiere -- XAVC 1080p -- I noticed there are four audio channels. Back-illuminated sensors offer increased sensitivity and less noise. Camera Audio Settings: On Channel 1, I have selected Input 1 on and on Channel 2 I have selected Input 1 as well. In addition to the seven standard picture profiles, the FS5 II has two flavors of log: S-log2 and S-log3. The size of the camera made it easy to pack and carry on to our flight. Because the camera is smaller, the LCD appears larger in scale. An unfortunate aspect of the PXW-FS5 is that the minimum ISO for non S-Log picture profiles is still high at 1,000. Of course not. The FX6 has a lot in common with both the FX9 and a7S III, and given its feature set, it certainly does cross over right into FX9 territory. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. That 1/4 to 1/128 stop ND can slide through the stops, offering the perfect ND for any exposure. Youre probably thinking of the channels as stereo pairs, with each Just look at the F5, F55, FS5, and FS7. However, there is still very much a place for both of these cameras as the FX9 is more suited to being shoulder-mounted than the FX6 and it has the ability to shoot 4K in an S35 crop mode. You have to do this in the menu on the FX6. Along with the two XLR inputs on the camera handle, the camera also has a MI shoe that allows you to attach the Sony XLR-K3M Dual-Channel Digital XLR Audio Adapter. However, if you have the storage space and the workflow to support shooting in 10-bit, its a very nice luxury to have. GoPro HERO11 Black review: Should you upgrade? Remotely controlling focus, zoom, rec start/stop, and etc. The only catch is that frame rates higher than 60 fps have lower and lower quality up to 960fps. Sonys -mount system offers unsurpassed compatibility with third-party lenses, including DSLR, making FS5 a natural next step for creators migrating from stills to professional video production. Sony FS5 Audio Controls Audio Inputs The camera has a built-in stereo microphone on the handle. We shot in the picture profile 1 one of the six standard picture profiles on the camera. The monitor on the C200 is nicer than the FS5 II, and overall, the C200 is a bit more robust of a camera. Grab and shoot with Sonys entry-level 4K Super 35-mm camcorder. With the end trigger recording, you can tell the camera when to end the shot and it will record the few seconds before that. If we were to buy this camera, wed buy it without the kit lens. It now joins the FX9 and the VENICE in Sonys professional digital cinema line-up. As I have mentioned in recent articles, the camera market has started to divide into two key sectors; the under $10K category and the high end. To extend recording time and workflow flexibility, the FS5 is equipped with two SDXC/SDHC card slots. Above you can see how much higher up it is positioned when compared to the FX9. It just clicks in no tightening needed. The Sony FS5 II is a small and lightweight camera that is ready for any shooting situation you throw at it. Half the battle is being first to market and providing something your competitors dont. The adjustable LCD screen was easily rotated into a storable position. A high resolution 0.39-inch OLED viewfinder enables precise manual focus and is perfectly offset for right-eye or left-eye viewing. It will be interesting to see how many potential FX9 buyers will now be rethinking their decision. Considering this is a camera aimed at solo operators, not having any XLR audio inputs on the body itself seems to be a major design flaw.
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